Wile E. Coyote’s John Cena Movie Features Looney Tunes In Meta

The upcoming Coyote vs. Acme movie isn’t the first time the titular Looney Tune has broken the fourth wall.

looney tunes have always highlighted his inherent goofy nature, frequently trading any sense of realism or tension for a quick laugh. This meta-nature has been particularly prevalent in character adaptations on the show – and should be a consistent factor for one in particular, given his role in an upcoming film.

Coyote vs. Acme could be a highly meta production, given the premise at the heart of the film. But this is far from the first time that Wile E. Coyote has broken the fourth wall – the first shorts codifying this aspect of the character.

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Coyote vs. Acme is currently slated to debut in the summer of 2023, with John Cena and Will Forte playing the attorneys representing the Acme Company and Wile E. Coyote, respectively. The film will be an animation/live-action hybrid, adapting Ian Frazier’s New Yorker article “Coyote v. Acme.” It’s an intrinsic meta-concept, underscoring the goofy reality of Wile E. Coyote’s perpetual failures to capture and eat the Road Runner, despite all the technology he bought from the company. This leads the Coyote to take legal action against Acme. Even the premise pokes fun at the franchise’s history and the importance inept Acme products have played in its shorts over the years.


This isn’t the first time Looney Tunes characters have come to terms with their status as cartoon characters, especially in movies. Who Framed Roger Rabbit?the space jam movies, and Looney Tunes: back in action all featured real-world people interacting with the cartoon characters. But Wile E. Coyote, more than any of them, has always broken the fourth wall. Debuting in 1949’s Fast and Furry-ous (directed by animation legend Chuck Jones), the typical Road Runner/Wile E. Coyote cartoon focuses on the latter’s flawed attempts to kill the Road Runner. Largely without dialogue, Wile E. often communicated directly with the audience and the all-knowing host, venting his frustrations or pleading for a break.


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unlike most looney tunes characters, Wile E. Coyote seems to fully understand the cartoonish physics of his world and general lack of stakes, often only losing out to the bizarre machinations of the world around him. This contrasts sharply with his adventures opposite Bugs Bunny, which are more dialogue-driven and focus on a more grounded Wile E. Coyote in his world. the looney tunes the shorts even explored this in 1965’s “Zip Zip Hooray!” (directed by Jones). The short opens with the traditional chase between the two, before pulling out to reveal it’s just a TV cartoon. Two children watch the short and discuss why the Coyote is even trying to capture the Road Runner – something Wile E. also openly questions, talking to the boys and admitting he just can’t. giving up the chance to finally catch it.


It’s an incredibly meta-textual short, with one of the boys noting with some dryness that if Wile E. won and truly captured the Road Runner, then there would be no more Road Runner/Wile E cartoons. Coyote for them. . It’s quietly a metaphysical question, wondering if the endless journey can be worth the lack of complete reward. As you contemplate Wile E.’s next cinematic adventure, it may help to remember just how heady his conflicts can get – and that in addition to some expected slapstick, there could be some unexpected layers to the film given the story of the character with the torch. the fourth wall.


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