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From Snow White and the Seven Dwarfs (the original, and still the best), to any of Toy Stories, Finding Nemo, The Lion King and, of course, last year’s absolute hit, Encanto, cartoons aren’t just for kids (it takes a real man to blubber proudly when Mufasa meets his creator, I’ll let you know).
Indeed, 2018’s Spider-Man: Into the Spider-Verse (the first animated film in the Spider-Man franchise) grossed $375.5 million worldwide, and those tickets weren’t just in the pockets of young people. Hoping to replicate the success of this animated superhero effort, today sees the general release of DC’s League Of Super-Pets – a story of mighty pals with paws, set in the familiar world of the DC Universe. Comics.
Directed by Jared Stern in his directorial debut, this film packs voice talent into the rafters, with characters voiced by Kevin Hart, Kate McKinnon, John Krasinski, Diego Luna, Keanu Reeves and Dwayne ‘The Rock’ Johnson. Using all of their own considerable powers, these stars are all set to steer this one to silver screen glory and prove that not all great heroes walk on just two legs.
Also landing today, our very own Olivia Colman stars in a moving road movie, Joyride – a story of two unlikely pals that showcases the budding talent of young newcomer Charlie Reid in superb chemistry with our favorite Oscar-winning queen. Exceptional as always, Colman shines in a role a little different from those in which we are used to seeing her, but in which she is no less authoritative. Let’s take a closer look at the latest offers…
Every dog, pot-bellied pig, turtle and red squirrel has its day in a rambunctious computer-animated comedy based on DC Comics characters that first appeared 60 years ago.
The feature debut from LEGO Batman Movie writer Jared Stern shares his creative DNA with this raucous image distilled into an irreverent screenplay co-written by John Whittington.
Tails wag when an excitable dog answers the call of a Batman-shaped vinyl squeaker and an impassive Dark Knight (voiced by Keanu Reeves) watches the daydream and growls, “It better be a toy under license… or I’ll freak out!”
DC’s League Of Super-Pets enthusiastically opts for walkies with familiar characters like Superman, Wonder Woman, and Aquaman, but focuses on the ragtag team of creatures that will join the Justice League as valiant sidekicks.
It’s an outlandish origin story about paws, fins and trotters that unabashedly tugs at the heartstrings of animal lovers and offers Kate McKinnon a plum voice role as a furless antagonist with illusions. of grandeur that is, by his own chuckling admission, “a few guineas short of a pig!”.
Dwayne Johnson and Kevin Hart rekindle their bromance of the Jumanji films as canine compatriots, whose initial mistrust turns – predictably – into unwavering loyalty.
Krypto the Super-Dog (Johnson) fights alongside Superman (John Krasinski) in Metropolis, thwarting the evil plans of nemesis Lex Luthor (Marc Maron).
“Superman and I are inseparable. I follow his horse or die,” observes the otherworldly dog, who sports a matching red cape attached to a gold collar.
The unbreakable bond between the Kryptonian exiles is tested when Superman prepares to propose to Daily Planet reporter Lois Lane (Olivia Wilde).
Discord ripples through Metropolis just as Lex Luthor’s former lab guinea pig Lulu (McKinnon) enacts his evil plan to abduct the Man of Steel and other members of the Justice League, including Batman (Reeves), Wonder Woman (Jameela Jamil), Aquaman (Jemaine Clement), Flash (John Early), Cyborg (Daveed Diggs) and Green Lantern (Dascha Polanco).
Krypto temporarily loses his abilities and trusts a misfit team of newly superpowered animal shelter escapees including Ace the dog (Hart), PB the pig (Vanessa Bayer), Merton the turtle (Natasha Lyonne) and Chip the squirrel ( Diego Luna).
DC League Of Super-Pets strikes a nice balance between action-oriented settings and cross-species angst not too far removed from The Secret Life Of Pets (also featuring a lively vocal performance from Hart).
Stern’s pic, co-directed by Sam Levine, has moments where it really soars (“Pup-up and away!”) and there’s clear potential for a family franchise to trot alongside forays into more dark in a sprawling live-action universe of tormented heroes and villains.
A few extra scenes embedded in the end credits provide some extra laughs and some nice cross-promotion.
A crude road trip through Ireland soothes deep emotional wounds in director Emer Reynolds’ old-couple hugs that trade plenty of tricks to reach an utterly predictable final destination.
Energized by the magnificent on-screen chemistry between Oscar winner Olivia Colman (wearing a singsong accent) and 14-year-old newcomer Charlie Reid, Joyride takes whimsical detours to showcase the rugged beauty of County Kerry and inflict blunt trauma with a central message that loving families can be chosen rather than inherited by bad blood.
In arguably the best scene, Reid’s scallywag, wise beyond his years and well versed in the diaper change of caring for young nieces, helps Colman’s nervous and reluctant mother successfully breastfeed for the first time. .
The intimacy of the characters in this potentially awkward moment is conveyed with exquisite tenderness.
Their duet of a TV theme accompanied by whistling Tommy Tiernan’s ferryboat captain is delightful if he’s a stranger to a ramshackle plot.
Flashes of genius aside, screenwriter Ailbhe Keogan embraces implausibility with a ridiculous, high-speed evasion of the law and a confrontation with airline staff.
A ride is supposed to be a perilous high-speed jaunt in a stolen vehicle, but director Reynolds prefers to hit the brakes rather than the accelerator.
Mully (Reid), 12, collects glasses and a belt for a rousing rendition of Cab Calloway’s Minnie The Moocher at a fundraising party for the cancer hospice caring for his late mother Rita .
Before the final orders at The Greyhound, the kind-hearted tyke discovers that his crook father James (Lochlann O’Mearain) is planning to run off with the donations to settle spiraling debts.
In a fit of anger, Mully snatches the money from his father’s hand and jumps into the driver’s seat of a waiting taxi, unaware that hungover lawyer Joy (Colman) and her baby are snoozing outside. the back.
When Joy regains consciousness, she forces Mully to accompany her on a random road trip to Kerry Airport via the house of a best friend who will be caring for the newborn while she is in Lanzarote.
Along the way, Mully breaks down Joy’s emotional defenses and forces the “practical and solution-oriented” lawyer to confront painful memories of her neglectful mother, who died nine months ago but still casts a long shadow.
Joyride relies heavily on Colman and Reid to overcome script shortcomings with raw emotion.
Love feels the heat in an award-winning feature documentary directed by Sara Dosa.
Narrated by Miranda July, Fire Of Love pays tribute to French scientists Katia and Maurice Krafft, who spent their lives capturing spectacular images of volcanoes.
Galvanized by their fascination with one of Mother Nature’s most destructive forces, the Kraffts traveled the world, chasing eruptions and lava flows to capture these dramatic moments in photographs and on film.
The couple’s dramatic images have enriched our understanding of the natural world and highlighted the fearlessness of volcanologists and their boundless spirit of adventure. Drawing on footage from the Krafft’s extensive archive, Dosa’s documentary paints a vivid portrait of two explorers who ventured into the unknown for love and lost their lives in June 1991 in Japan pursuing their passion.
Continuing the two-month celebration of the work of prolific German filmmaker Wim Wenders, which kicked off on June 24 with the release of a 4K restoration of Wings Of Desire, the director’s acclaimed 1984 road movie returns to select theaters.
Paris, Texas received its world premiere at the 1984 Cannes Film Festival where it won three awards including the most prestigious, the Palme d’Or. Set to a haunting score by Ry Cooder, the film sows the seeds of a tantalizing mystery when Travis Henderson (Harry Dean Stanton) suddenly emerges from the desert, four years after his disappearance.
Awkwardly caught up in the ebb and flow of everyday life, Travis can’t resist searching for his old flame Jane (Nastassja Kinski) in the vain hope of healing the old wounds of his fractured family.
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